STUDIOLIVE 32S SERIES III | 32CH 22-BUS DIGITAL MIXING CONSOLE / RECORDER / INTERFACE WITH AVB NETWORKING AND DUAL-CORE FLEX
STUDIOLIVE 32S SERIES III
32CH 22-BUS DIGITAL MIXING CONSOLE / RECORDER / INTERFACE WITH AVB NETWORKING AND DUAL-CORE FLEX
STUDIOLIVE 32S SERIES III
32CH 22-BUS DIGITAL MIXING CONSOLE / RECORDER / INTERFACE WITH AVB NETWORKING AND DUAL-CORE FLEX
- UM : EA
- Estimated Weight: 50.0
The StudioLive 32S is a powerful 32-channel mixer that provides the ultimate mixing experience, packing large-format features into a small-format chassis. Powered by the dual-core PreSonus FLEX DSP Engine, the StudioLive 32S digital mixer is equipped with 40 mixing channels, 26 mix buses, and 286 simultaneous processors—including 4 stereo reverberation systems—and Fat Channel plug-in models on every input channel and mix bus. With 128 (64x64) channels of USB recording, 128 channels of AVB network audio I/O, flexible routing options, and studio-grade audio quality, the StudioLive 32S delivers a fast and intuitive, surface-driven workflow for total control. Spend less time menu-diving and more time mixing—hands-on.
Features
Powered by the new dual-core PreSonus FLEX DSP Engine to provide the most processing of any digital mixer in its class
40 input-channel digital mixer with 33 touch-sensitive motorized faders
32 local digitally controlled XMAX mic/line inputs
2 balanced stereo aux inputs
1 stereo tape input (RCA, Bluetooth connectivity, USB, AVB, or SD)
4 FLEX FX returns
1 Talkback
26 mix buses
16 FlexMixes (Aux, Subgroup, Matrix)
4 dedicated FLEX FX buses
4 dedicated subgroups
Stereo Main bus
286 simultaneous processors
HPF
Gate/Expander
Compressor with Fat Channel plug-in models
4-band/6-band parametric EQ with Fat Channel plug-in models
Limiter
31-band graphic EQ
4 FLEX FX slots featuring legendary classic reverb emulations and delays
State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus
FLEX FX multi-effects processor with 4 slots to load legendary reverb emulations and delays with 4 dedicated effects buses
24 DCAs to control groups of channels
128-channel (64x64) recording over USB
Onboard multi-channel SD recorder (34x34) with true Virtual Soundcheck mode
AVB networking onboard (64x64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers, and more
User Profiles for managing multiple operators with custom permissions
Per-channel digital patching from any analog, AVB, USB, or SD Card source
DAW Control
Advanced Studio One control integration
MCU emulation mode optimized for Logic
HUI emulation mode optimized for Pro Tools
Remote control every mix function from your computer, iPad, or Android tablet with UC Surface (included)
Put your musicians’ monitor mix under their fingers with QMix®-UC (included) for iOS® or Android
Capture 3.0 multitrack software included
Automated Virtual Soundcheck
Store StudioLive mix scenes with your audio
Advanced Studio One integration (Studio One Artist Included)
XMAX mic preamp control from Studio One
Control Fat Channel parameters from Studio One mixing console
Ableton Live Lite included
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Microphone Preamplifier |
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Input Type |
XLR Female, balanced |
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Frequency Response to Main Output (at unity gain) |
20-20 kHz, ±0.5 dBu |
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Input Impedance |
1 kO |
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THD to Main Output |
<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd |
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S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) |
94 dB |
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Common Mode Rejection Ratio (1 kHz at unity gain) |
65 dB |
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Gain Control Range (±1 dB) |
0 dB to +60 dB |
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Maximum Input Level (unity gain) |
+12 dBu |
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Phantom Power (±2 VDC) |
48 VDC, switchable per channel |
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Line Inputs |
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Type |
¼” TRS Female, balanced |
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Frequency Response to Main Output (at unity gain) |
20-20 kHz, ±0.5 dBu |
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Input Impedance |
10 kO |
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THD to Main Output |
<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd |
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S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) |
94 dB |
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Maximum Input Level |
+18 dBu |
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Tape Inputs |
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Type |
RCA Female, unbalanced (stereo pair) |
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Maximum Input Level |
+12 dBu, ±0.5 dBu |
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XLR Outputs |
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Type |
XLR Male, balanced |
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Maximum Output Level |
+24 dBu, ±0.5 dBu |
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Output Impedance |
100O |
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Line Outputs |
|
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Type |
¼” TRS Female, balanced |
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Maximum Output Level |
+18 dBu, ±0.5 dBu |
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Output Impedance |
100O |
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Tape Outputs |
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Type |
RCA Female, unbalanced (stereo pair) |
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Maximum Output Level |
+18 dBu, ±0.5 dBu |
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Output Impedance |
100O |
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Headphone Output |
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Type |
¼” TRS Female, active stereo |
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Maximum Output |
100 mW/ch. @ 60O load |
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Frequency Response |
20 Hz – 20 kHz (±0.5 dB) |
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THD+N |
0.01%, 1 kHz, max gain, 20 Hz BW, unwtd |
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S/N Ratio |
96 dB, 1 kHz, max gain, 20 Hz BW, unwtd |
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System Crosstalk |
|
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Input to Output |
-90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) |
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Adjacent Channels |
-87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) |
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Digital Audio and Control |
|
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ADC Dynamic Range |
115 dB (A-wtd, 48 kHz) |
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DAC Dynamic Range |
115 dB (A-wtd, 48 kHz) |
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USB Recording Port |
USB 2.0, Type-B |
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Bluetooth Input |
4.1, stereo |
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AES/EBU Output |
XLR Male |
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Network Control Port |
RJ-45 |
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AVB Audio Network Port |
Locking XLR Ethernet |
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Internal Processing |
32-bit, ?oating point |
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Sampling Rate |
48 kHz, 44.1 kHz |
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A/D/A Bit Depth |
24 |
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Reference Level for 0 dBFS |
+18 dBu |
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Total System Latency |
1.9 ms (local routing, analog in-analog out, all processing active) |
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Clock |
|
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Jitter |
<20 ps RMS (20 Hz - 20 kHz) |
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Jitter Attenuation |
>60 dB (1 ns in, 1 ps out) |
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Power / Environmental |
|
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Connector |
IEC |
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Input-Voltage Range |
90 to 230 VAC (±10%) |
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Power Requirements (continuous) |
85W |
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Recommended Ambient Operating Temperature |
0° to 40° Celsius / 32° to 104° Fahrenheit |
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Physical |
|
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Height |
6.51” (165.36 mm) |
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Width |
32.37” (822.21 mm) |
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Depth |
22.97” (583.48 mm) |
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Weight |
37.2 lbs. (16.9 kg) |
